Showing posts with label Cranbrook. Show all posts
Showing posts with label Cranbrook. Show all posts

Of Two Johns: Lennon & Sinclair

Last weekend we watched The U.S. vs. John Lennon. After the show, I told Joanna another Forrest Gumpian story from my past. No, I didn't teach Elvis his moves, but it's another of those Six Degrees of Separation things that amuse me to no end, especially since the degree of separation—for me, anyway—is usually two or three (four at most).

Walking past the smaller of the two school gynasiums one afternoon in 1968, I heard the coolest music playing from within. I stepped inside and, inquiring of my English teacher, Dave Lundin, learned that I was hearing Upper & Lower Egypt from Pharoah Sanders' Tauhid LP.

More important, Dave told me he was setting up the gym for a be-in, to occur that Saturday night and would I like to participate? Sensing that this was something not to be missed, between the two of us we agreed I'd stage a shadow show during the goings on.

6/21/09—This just in from John Sinclair, London, England:

Thanks for the warm memories and the
nice post. Dave Lundin, what a great guy

Love, John

(Only 40 years later did I learn that Dave had been a regular at Wayne State University's infamous Cass Corridor, where he was picking up counterculture influences and importing them to the NW Detroit suburbs for those emulating the Cleaver family in the post-Eisenhower era. About the same time I discovered that Yoko Ono had been an early participant in both Manhattan, then London, be-ins, such as The 14 Hour Technicolour Dream held at the Alexandra Palace to the music of Pink Floyd and Soft Machine. But more on the Yoko connection later.)

At home I dug up all sorts of small treasures for the shadow show which, as it turned out, I performed onstage adjacent to the 10,000 megawatt, 150 decibel, full-on assault of the legendary MC5, followed thereafter by the jazz grooves laid down by the Charles Moore Ensemble. For a good portion of the evening, band manager, poet, musician, Fifth Estate music columnist and White Panther co-founder John Sinclair—attired in vertically striped green and white pants—was prancing around like a leprechaun on an elevated walkway, handing out cinnamon sticks to all those in attendance.

Facing a ten-year sentence, Sinclair was shortly sent to the Michigan State Penitentiary for possession of three joints. After first talking to Lundin about the idea, I wrote to Sinclair and received a very nice reply shortly thereafter. He was obviously very happy to hear from anybody on the outside. Too bad I didn't save his letter!

"The people at Woodstock really were a bunch of hypocrites
claiming a cosmic revolution... while John Sinclair
rotted in jail after a trumped-up drug bust."

Pete Townshend, from The Road to Woodstock by Michael
Lang with Holly George-Warren, Ecco/HarperCollins, © 2009

Two years later "the stars aligned" for the John Sinclair Freedom Rally at Ann Arbor's Crisler Arena. Having been involved on the fringe of radical politics in the U.S. for some time, organizers were able to enlist the aide of none other than that other John—late of Beatles fame—along with his ever-present other half, Yoko Ono. Also about this time Lennon had recorded the song, John Sinclair, released on his Some Time in New York City album. Sinclair was freed and the city of Ann Arbor soon reduced the fine for smoking marajuana to a paltry five dollars.

Soft Machine Upstage Jimi Hendrix

Room Full of Mirrors (Slight Return)

This is an e-mail I sent to author Charles Cross in 2006 while reading his Room Full of Mirrors: A Biography of Jimi Hendrix:

"This is an interesting book. I picked it up to learn more about Jimi's relationship with Miles Davis, of which there are differing accounts of what actually transpired. In Miles' own autobiography, he never mentions the three-way deal with Jimi and Tony Williams, but only tells how they were due to get together on a project immediately after the Isle of Wight. Of course, I believe Miles may have conveniently omitted the business of wanting $50K from Mike Jeffrey before moving ahead with the Miles-Jimi-Tony project mentioned in your book.

"The Jimi at Cobo Arena (Detroit) concert, sponsored by radio station 'Paul Is Dead' WKNR, apparently took place in November of '68. I had seen the Experience at Detroit's Masonic Auditorium, with Soft Machine (also managed by Jeffrey), nine months prior. Jimi was having one of his off nights, was in a foul mood, and there was no encore, as I recall. I was extremely disappointed in his performance that evening.

"On the other hand, Soft Machine absolutely blew me away, between their music and fabulous light show. In letting "Uncle Russ" Gibb know how much I enjoyed that group during one of my regular calls to him while he was on the air, he invited me down to Keener in Dearborn [MI] to pick up an advance copy of their debut album on a 7" tape reel. This I did, with that story being chronicled at the above-referenced URL [and as an earlier blog entry].

"I haven't yet read the final chapters and the story of Monika Danneman. If you subscribe to Eric Burdon's theory laid out in his memoir, she was a psycho who dosed Jimi with extremely powerful German painkillers in an effort to keep him in her nest. Burdon also had issues with Mike Jeffrey regarding his mob ties, both in the U.S. and U.K."

[Interestingly, I recently learned that Andy Summers, guitarist with the Police, had been both a one-time member of Eric Burdon's New Animals and Soft Machine. Alas, he had been sent packing from Soft Machine before their Hendrix support tour got underway, so I've never had the opportunity to hear him play live.]

Detroit Rock: Dick Wagner, Alice Cooper & Friends

Here Comes the Mystery Man

Several weeks ago I was listening to Radio Paradise when the station proprietor and chief musicologist, Bill Goldsmith, mentioned guitarist/singer/composer Dick Wagner in connection with Lou Reed. "That's interesting," I thought, thinking I might drop Bill a quick note about my Dick Wagner connection. One gets busy, though, and...

Fast-forward a week or so. Radio being what it isn't these days (no thanks to Clear Channel), I usually listen to NPR in the car and happened upon an immediately-identifiable voice—that of one Alice Cooper, progenitor of Kiss, Marilyn Manson, and the Rocky Horror Picture Show. Later, I remembered that Dick Wagner was Alice's guitarist and co-conspirator for many years.


(Not being an Alice fan back then, the interview was both fascinating and enlightening...did you know Alice personally knew the likes of Groucho Marx, who was a fan? I didn't either. Click the [Listen] button to hear the interview.)

My first personal encounter with Wagner was at a concert at the Birmingham (MI) Palladium, where a group of us were chatting him and his band up during a break. We had also seen his group, The Frost, in addition to ("Terrible" Ted Nugent's) Amboy Dukes, the Psychedelic Stooges (read: Iggy Pop), Bob Seger, et al., appear as warm-up acts all over SE Michigan. (Seger even performed at our surprise high school assembly one afternoon, debuting his Beautiful Loser LP).


From Dick we quickly learned The Frost would soon be recording their second LP, Rock 'N' Roll Music, live at the Grande Ballroom, Detroit's Fillmore-equivalent run by Russ "Paul Is Dead" Gibb. In fact, most of the aforementioned bands, including the MC5 and an earlier group that featured the Eagles' Glenn Frey, were in semi-rotation as opening acts at the Grande.

Shortly thereafter, I well remember pushing my way forward through the Grande's SRO crowd, then proceeding to scream my fool head off at the end of each song. It was a live recording, after all, and they had asked us to make it sound that way. Coming across these recordings not long ago, I swear I can still hear my distinctive "w-h-o-o-p"!


With minimal guidance from Grande artist Carl Lundgren (Gary Grimshaw was the other regular artist), it happens I also designed a postcard (now a collector's item going for $250 a copy), promoting an upcoming B.B. King appearance at the Grande, on which both Wagner's Frost and Iggy's Psychedelic Stooges are billed as opening acts. Imagine this handbill appearing as a part of a regular B.B. King exhibit at the Rock 'N' Roll Hall of Fame & Museum (true story)!

In visting Wagner's well-done
website, one learns he moved to Phoenix a couple of years ago and once again is teamed up with Alice Cooper preparing some new material. Hoping to see the "Mystery Man" again soon!

Hendrix In Detroit: Voodoo Child Rocks F1 Garage

Cuz I'm a Voodoo Chile...

I was blessed—or so you may think—to be one of those who heard/saw Jimi play live. It was back in—what, 1968?—at Detroit's Masonic Temple. I'm indifferent about having heard Jimi that particular evening, though, for two reasons.

First, Soft Machine, playing a warm-up role to Hendrix, completely stole the evening, between an incomparable light show and music that matched. If you've never heard Slightly All the Time from their Third release, reading this blog just paid off for you in spades. For me, this is one of those "desert island" recordings. Need I say any more? CONDITIONS: You should not be interrupted nor distracted in any way while listening to this piece for the first time, so maybe "lay back 'n groove on a (sunny) day" with this on your MP3 player, away from the Frisbee players, or wait until you know you have the house/apartment/yurt to yourself.

Back to the concert. Hendrix not only came on stage very late, but proceeded to put on one of the worst shows of his brief career with the Experience. In either Charles Cross' Room Full of Mirrors: A Biography of Jimi Hendrix or Kramer and McDermott's Hendrix: Setting the Record Straight (I don't remember which, but both are great reads), the author(s) point to Jimi's Cherokee blood vis a vis his reaction to alcohol as the culprit. Some 39 years later (!), I surmise this probably accounted for the exhibit we saw at Masonic that evening.

But I'm still very much a fan. So if you've got a moment, I'd like to relate another Hendrix, uh, "experience." The scene again is downtown Detroit, this time hosting its first Formula 1 Grand Prix event, with the Renaissance Center garage being given over to the likes of Team Lotus, Renault, McLaren, Ferrari, and the like. After checking out some decent bands playing in Hart Plaza and hoisting a few, fellow F1 fanatic Dave Collie (RIP) and I started indiscriminately yanking on RenCen garage doors until, voila, our "Open, Sezme" command was magically acknowledged!

Strutting in like we belonged, what was that we heard? Getting louder as we approached Team Lotus? You betcha...those famous opening bass lines to Voodoo Child eminating from a pair of very sizeable speakers. It was fabulous. And LOUD—reverberating off of that massive concrete structure where another "Jimmy"—he of the Teamsters—is reported to be forever entombed. (A Pillar of Esteemed Citizenship?) Anyway, I don't think I've ever heard that track (no pun intended) sound so good. And yes, a rubber frog hung from the ceiling of the Renault garage.

What I didn't know—until last year—is who was responsible for those fabulous bass lines. I just assumed it was Noel Redding and let it go at that. But then I rented Classic Albums: Jimi Hendrix: Electric Ladyland from Netflix. You should, too. For the Hendrix fan, the DVD is so interesting, and so well produced, it very well may end up as a purchase for my library. Heck...it's an EXPERIENCE!

So who is our mythical bass player? I'm not going to tell you, but you may click here if you'd like to spoil the surprise with a hint.

Paul Is Dead During Magical Mystery Tour

Rapping With Russ

Being an ever-faithful listener of "Uncle" Russ Gibb's WKNR-FM classic rock show (back in the gool ole days!), I was captivated one weekend when he interviewed a fellow on-air about multiple clues, taken from many Beatles' LPs, leading to the possibility that Paul McCartney had been killed and replaced by a look-alike. Though I don't specifically remember what tips I contributed, I was very excited to be able to participate in Russ' show and offer additional "clues," now that pandora's box had been opened.

Stories such as these, including the one about having seen each of the Beatles shows on the Ed Sullivan Show, have been passed down to my two kids. My wife, of course, has been subjected to my far-off reminiscences of that era more times than she cares to remember. So it was the four of us met in London in August, 2001. On the alert for a suitable birthday present for Dad, my son arranged for the four of us to go on a guided "Magical Mystery Tour" walk.

Starting very near the location of the Beatles' short-lived Baker Street clothing boutique, the tour takes in McCartney's MPL office, Carnaby Street, and several other Fab Four sites on its way to the former Apple headquarters, where the Fabs, along with Billy Preston, played the famous "Get Back" rooftop session.

From there it was on to the world famous Abbey Road Studios in St. John's Wood, where our guide launched into a dissertation on the famous zebra-crosswalk photo appearing on the cover of the Beatles' last album, Abbey Road, prior to disbanding. Here Paul is pictured barefoot and a VW license plate reads, "28IF," Paul's age at the time of the infamous KNR broadcasts "had he lived." My ultimate delight came from the astonished looks on the faces of my wife and kids when, after explaining many of the clues, our guide attributed the "Paul Is Dead" story to none other than "Uncle" Russ, my WKNR-FM disk jockey friend (and Grande Ballroom proprietor)!


For the definitive read on all of this, and what part former Grand Funk manager Terry Knight had to do with all of it, check out Andru Reeves' Turn Me On, Dead Man: The Beatles and the "Paul-Is-Dead" Hoax.