Showing posts with label Tom Dowd. Show all posts
Showing posts with label Tom Dowd. Show all posts

Use PC To Stream Concerts & Films To Your TV

Regular Floydians know that we are avid fans of concert videos and documentaries about aspects of the music industry. Sometimes you can even find great offerings in on-demand streaming video format, as was the case with the fabulous PBS series, Ken Burns' Jazz, and Festival Express we recently viewed (again) from Netflix. (I also note that you can stream the excellent Tom Dowd and the Language of Music from Netflix until July 1.)

Listening to All Things Considered on National Public Radio during my commute home yesterday, I heard a piece about streaming video programs from various Internet sites to one's home TV. Content sources include the aforementioned Netflix, Amazon, Hulu and a cool new site I just discovered named The Auteurs. In the report, the better half of a home theater-owning couple described their electronic components in a cursory manner, then expounded on the trevails they experienced while attempting to view City of God.

My feeling was that many listeners wouldn't even try streaming video after hearing Yuki Noguchi's story. I also believe that many potential viewers mistakenly think that a specialized electronics device is required to view streaming video. This simply isn't so. In fact, all you need are the following:

  • Television with some type of auxiliary input connection (see illustration below)
  • Reliable broadband Internet connection
  • Personal computer, preferably located within 25' of your TV
  • Ethernet cable connecting the computer to the Internet
  • Method of payment (Netflix, Amazon, The Auteurs only; Hulu is free)

Do not try to use a wireless Internet connection for the data transmission rate will be insufficient. Next, the illustration(click to enlarge) lists several types of computer-to-TV connections, in order of video signal quality. Check which type of connection(s) your TV provides, then match it up with your the video output on your computer.

With the exception of HDMI to HDMI, all of the connection types require a separate audio connection between your computer and your TV. This is also very easy to do, using your computer's headphone jack as the output source. You'll need a common 1/8" stereo mini plug–to–RCA adapter cable to do this hookup. Optionally, connect the RCA plugs to your stereo system for better sound quality—important when watching concert videos!

Wolfgang's Vault - Reissue

If a cable adapter and/or video extension cable is required, J & R Music World, Cables To Go and Cyberguys are all excellent places to shop online, or try locally at Best Buy, Fry's Electronics or Radio Shack. In many cases, you may even be able to use a low-cost RF transmitter/receiver set to "broadcast" the program from your computer to your TV location if they're separated by more than 25 feet. There are even ways to relay the video signal from your computer to the vicinity of the TV by way of a CAT5e Ethernet cable, so don't hesitate to explain what you need to a knowledgeable salesperson at one of the aforementioned retailers.

And here's a troubleshooting tip—if at first you don't succeed, try, try again! After rechecking cable connections, we find that rebooting the computer will often solve a problem with a poor data stream. Especially for those with a DSL hookup, sometimes you just have to try another time due to user congestion. The NPR story aside, however, making the connection and enjoying streaming video programs really is as simple as spelled out here!

Making Sgt. Pepper's Lonely Hearts Club Band


It's undeniable that the Beatles' Sgt. Pepper's Lonely Hearts Club Band is the definitive recording of the social upheaval during the '60s. Behind the scenes, there are many things that make this collection of songs even more remarkable. In Manhattan, Atlantic Records had been recording on an eight-track machine for years, as chronicled in Tom Dowd: the Language of Music. Yet at Abbey Road Studios, parent company EMI made their cash cow limp along with wholly anachronistic technology—the four track recorder.

This forced the Beatles' producer, Sir George Martin, and recording engineer, Geoff Emerick, to combine—or "bounce" —several individual tracks into one on a second tape machine in order to create a blank track on the first machine for some other instrument, vocal, or sound effect. Repeated several times, with each bounce the sound quality dropped a notch. More critical was the fact that, each time multiple tracks were bounced, there was no going back in the analog tape world. (Archivists are having to use a plethora of tricks to separate tracks and remaster these old tapes!)

In addition to Emerick's excellent account of recording many of the Beatles' canon, the story of this seminal LP—and its significance in the context of the times—is also told in a very interesting way in The Making of Sgt. Pepper's Lonely Hearts Club Band. You may watch the entire video here ▼: